Archives for January 2011

Formatting TYOTE for CreateSpace POD

January 26, 2011 By Mark 5 Comments

This post documents the workflow I followed while formatting my short story collection, The Year of the Elm (TYOTE), for printing with CreateSpace. If you’re venturing down the same print-on-demand (POD) road I hope my experience makes your project a little easier. I also fervently hope this post reminds me of all the useful things I learned the next time I have a manuscript to format. (Had I not kept notes, ninety-percent of what follows would already be lost.)

As posted previously, I finalized my cover redesign, uploaded the files to CreateSpace, and got the proof back in short order. To my utter amazement, all of the decisions I made turned out exactly as I hoped, and I was quite pleased with the result.

But I worked hard for that happiness. [ Read more ]

Two Spaces After a Period

January 19, 2011 By Mark 66 Comments

It is acceptable to use two spaces after a period.

Why am I moved to make this declaration? Because every so often a typographic tyrant goes off their OCD medication and launches a caustic diatribe at anyone who prefers to use two spaces between adjoining sentences. These deranged attacks, absurd as they are, can do real damage to writers. Ditchwalk will not tolerate anyone who uses authority or prominence to ridicule or intimidate writers, or in any way make writing more difficult than it already is.

The Question in Context
As a writer of any kind — private, professional, traditional, experimental — you have two obligations. The first is to be honest to your own intentions. The second is to communicate your intentions to the intended reader as effectively as possible.

These obligations hold whether you are writing an email to a single person or publishing a work for the masses. They remain your responsibility even if you choose to involve others in the process. Agents, editors, publishers, typographers and others who make a living off authorship are peripheral to your work as a writer. They may be central to your goals as a business person, they may be central to your ability to produce a physical book or e-book file, but they are not writers.

You are a writer. Your job is to write for your readers. That’s true whether you’re an established author or just starting out. The problem, of course, is that when you’re just starting out you’re not sure what you’re doing. Complicating matters is the fact that some of the agents, editors, publishers, typographers and others who make a living off authorship will gladly claim expertise and authority even in matters they know nothing about. This includes everything from telling you what your obligations are as a writer to how many blank spaces should follow a period.

Why would someone do this? Because it makes money. Because they are control freaks. Because they genuinely believe their little corner of the universe is the only thing that matters. Because they have confused the needs of the reader with the demands of the market. Because they hate the fact that you can write and they can’t. Take your pick.

Whether you choose to defer to peripheral voices or ignore them, no choice voids your basic obligations as a writer. There are no shortcuts. You must ask and answer a million questions in order to write well. At times you may find there is no agreement about an issue. In those instances you will have to choose what you prefer or think best, not what’s right or true.

The most important thing I can tell you about navigating any writing issue is this. The second most important thing I can tell you is to always keep perspective. Relative to the eternal obligations of every author, the question of how many spaces should follow a period is a flea on the great stellar flank of our galaxy.

You should also be particularly wary of any agent, editor, publisher, typographer or other person peripheral to the writer-reader relationship who uses a claim of expertise to cow you into conformity. Authorship is about making conscious, informed choices, not about blindly accepting the opinions of others.

How many writers have ever said that two spaces after a period is a sign of amateurism? How many writers would dismiss your content outright if you used two spaces instead of one? Is this a common source of discussion at writing workshops and retreats? Have you ever seen a breakout session at a convention titled The Two-Space Debate? Has anyone ever said, in the entire history of the world, “This would have been a great book, but because the author used two spaces after a period it is an unmitigated disaster.”

If you are writing a book narrowly targeted at people who believe two spaces after a period is a portent of the End Times, then yes, you should probably use a single space after a period. Other than that, you should learn as much about this and every other issue as you can, then make your own case-by-case decisions.

For myself, I have generally used two spaces after a period to no ill effect. No one who has ever paid me money to write, or ever received a document written by me, has ever asked me to use a single space after a period, or even commented about my practice. Recently, however, after twenty-five years of writing, I did come across an instance in which I found two spaces to be distracting, and I will expand on that experience below.

In the remainder of this post I intend to: dismantle a recent diatribe against the use of two spaces after a period; explain when and why I use one space or two spaces after a period; make the case that excessive interest in this issue should be included as classification criteria in DSM-5. [ Read more ]

The TYOTE Proof Arrives

January 9, 2011 By Mark 1 Comment

On December 31st I ordered the proof for my first print-on-demand (POD) book, a short story collection titled The Year of the Elm (TYOTE). I’m using CreateSpace (CS) to manufacture the book, and CS gave me three shipping options for the proof. I chose the slowest and cheapest option: three weeks for a little over three dollars. I did so because I couldn’t imagine it would actually take three weeks for the proof to arrive, and it didn’t. It took eight days, including a long three-day weekend. [ Read more ]

Sticking a Shiv in Mark Twain

January 4, 2011 By Mark 6 Comments

I ran across a story yesterday about NewSouth, Inc’s intent to publish an expurgated version of Mark Twain’s The Adventures of Huckleberry Finn in which the n-word has been replaced. At first I assumed this to be some sort of fringe, crackpot effort. Upon reading further, however, I realized that a lot of thought had gone into the decision, and that the people behind the effort seemed sincere. That their objectives are misguided and ultimately untenable in light of their own stated beliefs only makes the decision to go ahead with the project that much more confusing and disappointing.

Before I question the individual and collective rationales that have led what appear to be otherwise decent people to the precipice of insanity, I want to make a larger point. Anyone over the age of twenty knows that you do not alter an author’s text to fit your world view. No matter how personally offensive you find an author’s words, no matter how society may have changed since a text was written, no matter how difficult open discussion of an author’s work might be, you do not, ever — ever — change an author’s text to make your life easier or better. You can write your own book, you can write volumes of criticism about the original text, but you’re not allowed to rewrite history for your own ends.

Everybody knows this, and until now I assumed that literary scholars and publishers understood the reasoning behind this prohibition better than most. That the initiator of this particular act of literary barbarism is Twain scholar Alan Gribben, a long-time English professor and head of the English Department at Auburn University at Montgomery, is almost mind-boggling. The publishers aiding and abetting Professor Gribben at NewSouth are Randall Williams and Suzanne La Rosa.

Anticipating pushback against his bastard child, Professor Gribben has already gone on a name-calling offensive:

Gribben has no illusions about the new edition’s potential for controversy. “I’m hoping that people will welcome this new option, but I suspect that textual purists will be horrified,” he said.

If you’re not familiar with the hallowed halls of academia, this is the kind of thing that professors say when they they’re trying to protect shaky intellectual turf. Accusing people of textual purism is a transparent preemptive attempt to demonize those who object to Professor Gribben’s literary crime. It also conveniently ignores the fact that intentionally changing words in order to make a work more appealing or salable has nothing to do with textual purism. What Professor Gribben is doing is not disputing or advocating for a version of Huckleberry Finn, but actively rewriting Mark Twain in a demented attempt to save Twain from himself.

That NewSouth has decided to publish Professor Gribben’s version of history is perhaps understandable from a business perspective, but disappointing in terms of the cultural stewardship we hope all publishers embrace. Again, no dissection of the publisher’s motives need be undertaken in order to understand how flawed this decision is and how completely it undercuts the foundations of authorship, history and culture. Any publisher’s attempt to alter an author’s words is a violation not just of that author’s work, but of every author’s work, and anyone who proposes going down that road for any reason — and I mean any reason — by definition lacks the necessary steel to assess, edit or publish literature. [ Read more ]