Archives for 2015

Publishing is for Professionals

March 11, 2015 By Mark 1 Comment

One problem with allowing people to publish their work without first taking the benevolent guiding hand of the publishing industry is that writers are left open to all sorts of potential exploitation. Just as it’s easy to take advantage of an elderly person who’s had a stroke and get them to sign all sorts of papers and statements and turn their lives over to virtual strangers, it’s easy to dupe young writers into making choices and deals that are not in their best interest.

That’s why I’m thrilled — thrilled — to see HarperCollins’ Jonathan Burnham taking such good care of Harper Lee and her recently discovered long-lost novel, Go Set A Watchman, which she apparently wrote prior to writing her rightly celebrated masterpiece, To Kill A Mockingbird. I get sick thinking how Lee might have been ill-served by a lesser white knight incapable of anticipating a jaded public’s dubious reaction and providing a preemptive and detailed forensic defense of such an important discovery:

“Everyone had believed it to been [sic] lost, including Harper Lee herself,” Burnham said. “You can see that it is written on a manual typewriter from the period. It has on the front of it the address where Harper Lee was living at the time in New York. But if you read the book, more importantly, only Harper Lee could have written this novel.”

Thank goodness! Because in the dark corners of the publishing world you can only imagine how easy it would have been for someone with fewer scruples to take an early draft of Mockingbird and pay a ghost writer to bash out a few new chapters on and old typewriter, using the resulting bastardized mishmash not only to exploit Harper Lee but rip off an adoring and trusting public. Fortunately, that has obviously not happened. [ Read more ]

The Sixty Percent Solution

March 8, 2015 By Mark 7 Comments

This post is for those of you afflicted with the desire to write. Maybe you’ve tried all the right medications, maybe you’ve gone through rehab and gotten clean a few times, maybe you’ve even been through conversion therapy and pretended to be a happy human being who enjoys getting up and going to a job. Yet, for some reason your mind keeps coming back to an empty page.

If this is you, and if you’ve been at it long enough to write what you consider to be a large document — maybe fifty pages, maybe five hundred; it doesn’t matter — I’d like to pass along a little psychological survival tip that has kept me from doing something foolish over the years, either to myself or the project I’m working on.

While any first draft has its agonies, the fact that you don’t know how long your work will eventually be prevents you from thinking about your percentage of completion — assuming you’re not one of those numerologists who believes documents for certain mediums should always conform to specific page counts. Once your first draft is finished, however, you know exactly how much work you have to do to get through the next pass, and that in itself can prove daunting.

For example, if you’ve written a three hundred page novel, you know going in that you’re going to have to gut through a hundred and fifty pages just to reach the halfway point of the next revision. No matter how much you love writing that’s nobody’s idea of fun, and the more passes you have to make the more such awareness can take a toll, turning each draft into its own little death march.

Well, here’s the good news. When you’re revising a long document all you need to do is make it to 60%. If you can get there, if you can hang on that long, finishing the other 40% is easy precisely because of the math involved. (You may think, based on your prior history with math, that you’re not the kind of person who pays attention to percentages, but there is a primal part of your brain called the percental cortex that is solely devoted to doing exactly that.) [ Read more ]

Little Scream — Black Cloud

March 3, 2015 By Mark 1 Comment

In late November of 2013, for the second year in a row, I found myself staggering to the end of a six-month battle with the same massive document. As had long become habit, largely to preserve some tenuous connection with life outside the confines of the virtual pages that were my waking reality, I spent much of my writing time listening to several custom stations on Pandora. While I enjoyed the great majority of the songs that played, most of them came and went without intruding on consciousness.

From time to time, however, a particular song would grate on me until I silenced it, and on even rarer occasions a song would seize and hold my attention. Among that small number of mesmerizing songs, before and since, none stands apart like Black Cloud by Laurel Sprengelmeyer, who goes by the stage name Little Scream. In the moment, sixteen months ago, it was arresting in its beauty and ability to transport, and I still feel that way today.

While looking up information on the artist back then I searched for a video but could only find uploads by others, and I didn’t want to link to something that wasn’t officially released. I did find additional songs and performances by Little Scream, but Black Cloud was not among them. Recently, however, I found this:

I listen to a lot of music and I know what I like. Give me the choice between a beat and a groove and I go groove every time. But there’s another thing music can do, and that’s take you on a trip, and that’s what happens each time I listen to Black Cloud. I’m not sure what the musical word for that would be, but my word would be storytelling.

If Black Cloud takes you somewhere, and you like the trip, tell someone when you get back. Musicians in particular have always had a tough time making a living doing what they love, and I don’t think anyone will ever solve that problem. One problem the internet can solve, however, is making sure musicians and other artists who touch us know that their voices matter and are being heard.

Lyrics here. Site here. Album here. Videos here. Another favorite here.

— Mark Barrett

Digital Natives Prefer Print

March 1, 2015 By Mark Leave a Comment

Ran across an article in the WaPo that was interesting both for its contents and the fact that the paper is now owned by Jeff Bezos, emperor of Amazon:

Frank Schembari loves books — printed books. He loves how they smell. He loves scribbling in the margins, underlining interesting sentences, folding a page corner to mark his place.

Schembari is not a retiree who sips tea at Politics and Prose or some other bookstore. He is 20, a junior at American University, and paging through a thick history of Israel between classes, he is evidence of a peculiar irony of the Internet age: Digital natives prefer reading in print.

Whether you write fiction or non-fiction, it’s definitely worth a read. Despite Silicon Valley prophecy, human beings are apparently not so easily led to the digital light.

— Mark Barrett

Storytelling and Real-World Violence

February 16, 2015 By Mark 2 Comments

This is the final post in a series exploring the idea that storytelling, gameplay or entertainment of any kind may precipitate acts of violence in the real world. First post here.

In setting out to prevent mass murder as much as humanly possible you have learned a great deal. Most of what you learned will do nothing to keep anyone from being killed, at least for a long while, but you no longer feel confused. It is understandable that people attribute motive to all kinds of things, including mediums of entertainment, and particularly to mediums that feature violence. It is also true that violent entertainment — along with every other aspect of life — may, in some instances, be a contributing factor in murderous mayhem, but it’s equally clear that there will never be any methodology by which such eventualities can be predicted. Even banning the most violent mediums would do nothing to prevent acts of violence from happening because acts of violence have been a part of human history since long before the invention of entertainment technology.

One thing you are convinced of, which you did not believe before, is that stories do play a big part in violence — but not the fictional kind that people usually blame. Narratives are always hard at work in life, including when people go berserk and start killing, but the most dangerous stories do not come from mediums of entertainment, they come from the omnipresent tension between society and the individual mind. They are persistent fictions that people believe in all the time, not just when the telly is on for a couple of hours or a game is played or a movie is streamed. They are beliefs that may even have no basis in reality, yet people are nonetheless convinced those beliefs not only explain how the world works, they unfailingly reveal how the world should be.

One of the most corrosive of these cultural narratives, by far, is the false belief — the protective fiction, endlessly reinforced by the profit-driven press — that we can ever truly know the motive behind any act of madness. Not only does this widely held mistaken belief lead to waste as everyone tries to assign and avoid blame after an act of madness, it perpetuates the false hope that understanding motive in one instance will enable us to predict and prevent acts of violence in the future. Worse, by pretending that the divination of motive can save lives, the real-world benefits of limiting access to the means of violence go largely unreported, and those who might otherwise consider such options remain perpetually misled about the viability of the choices before them. [ Read more ]

Real-World Violence and Means

February 1, 2015 By Mark 1 Comment

This post is part of a series exploring the idea that storytelling, gameplay or entertainment of any kind may precipitate acts of violence in the real world. First post here.

Unable to prevent mass murder by focusing on opportunity or motive, you are now reduced to considering how to limit the means of such monstrous acts. From the outset you know this is not a particularly promising approach to protecting innocent lives because almost any object, including the human body itself, can be used to kill. Other than wrapping everyone in a straight jacket it will be impossible to prevent human beings from injuring each other, but with judicious limits it might be possible to decrease the total amount of carnage that berserkers commit in a given calendar year. You won’t ever know who you saved, and you won’t ever be able to keep people from going berserk, and some people will still die, but you might be able to limit some of the fatalities that would otherwise take place when individuals do become homicidal.

Although you rightly abandoned your plan to incarcerate people by the millions based merely on broad suspicion about their potential motives for going berserk, because doing so would still fail to prevent mass murders among the remaining free citizens, your realize that the same was not true for those individuals who were incarcerated. Even allowing for the fact that they might be more likely to go berserk compared with their free counterparts, perhaps as a result of being unjustly imprisoned, by virtue of being locked up the potential for any individual to commit mass murder would plummet. While supervision and isolation would certainly prevent some violent acts from taking place, even in the general population where the opportunity exists to murder people en mass, the means of doing so would simply not exist. Even if prisoners went berserk with regularity, the total amount of damage they could do would be limited — at most — to whatever carnage they could cause with a shank or other weapon before others intervened en mass.

Leaving aside full-blown riots, the likelihood of a single individual going berserk and taking out twenty or ten or even three people in a prison yard is severely limited by the fact that they will rapidly find themselves outnumbered. If they had the right weapons the plan would have a better chance of success, but among all the institutions known to man prisons in particular are notoriously loathe to permit the possession of exactly those weapons that make killing human beings easier. For example, while many prisons allow prisoners to express themselves with paints or drawing materials, including tools that could be repurposed to violence, few prisons allow personal expression through use of chemical agents or explosive devices. Even if you are the baddest of the bad in Cell Block C, the fact that you can’t get your hands on the tools that would allow you to kill many people quickly means you’re limited in the damage you can do.

Unfortunately, when trying to limit carnage outside prison walls such prohibitions do not apply. Not only are people allowed to own a wide variety of products that can be used to kill many people in a short amount of time, as long as those products are legal they can stockpile them for that exact purpose and nobody can tell them you’re not allowed to do so. Only after they’ve gone berserk and killed a bunch of human beings — thus proving that they are criminals if not also mentally ill — can citizens, by law, be deprived of many of the means of mass murder. [ Read more ]