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Game Violence

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Nathan Grayson put up an interesting post on RPS last week while attending E3. If you’re not familiar with E3, it’s an often-lampooned convention where game-industry professionals get together to decide the fate of each other’s bank accounts, in cavernous spaces far too loud to facilitate intelligible conversation. But it’s not all fun and games. Not only are unintelligible deals routinely struck at E3 that determine the games you will and won’t see in the coming year, but E3 quite literally saves lives.

The impetus for Nathan’s post was a game demo he attended, during which the interactive industry expressed enthusiasm for hyper-realistic gore effects:

I sat in a jam-packed arena-sized auditorium and watched a game demo unfold on a screen bigger than my hometown. OK, that wasn’t the surprising part. I’d been doing that all day. This one, though, came to a rather abrupt halt when – mere inches away from the camera – a man’s head erupted into a volcano of hyper-detailed gore after a point-blank shotgun blast. And then: deafening applause from hundreds of people.

This was the blaring exclamation point on the end of a day of gleefully grotesque neck-shanking, leg-severing, and – of course – man-shooting. I can honestly think of maybe five games – in four multiple-hour press conferences – that didn’t feature some sort of lovingly rendered death-dealing mechanic. And oh how show-goers cheered.

Now, as shocking as this may be, it’s worth noting that this sort of thing is really the norm when you stand at the corner of Tech Street and Cash Avenue. Put a few techies in a room with some suits and sooner or later somebody’s going to come up with something truly disgusting, at which point the suits will run the numbers and see if it’s profitable. Only when the project gets to the marketing phase will anyone conduct a focus group to determine if there are moral, ethical or cultural impediments to launching that product or service.  [ Read more ]

The Kindle as Medium

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The gruff but lovable John Dvorak at PCMag, on his experience with the Kindle:

The Kindle is not an iPad, not a computer, and not really a book. When you get a book, it has heft and pages and you know what you are in for as you begin to read it. It can be daunting. The Kindle is one page that is refreshed to another page. That’s it. There is no physical reminder that you have a long way to go to finish the book. It eliminates all sorts of psychological aversions from the reading process.

Yet, as Dvorak also notes, the Kindle seems particularly friendly to shorter works, including novellas and short stories, rather than the ever-longer books publishers have been pushing for the past decade or two in an attempt to equate value with tonnage.

— Mark Barrett

One Million Characters

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Writing is a solitary pursuit often requiring long periods of self-imposed isolation in order to complete a given work. Whether the end product is a book, script or blood-scrawled scroll, many writers compensate for the inherent loneliness of authorship by leading bawdy social lives centered around chemical binges and chaotic if not ultimately destructive relationships. While I fully support any writer’s determination to find a healthy work-life balance, not all writers are constitutionally inclined to such interstitial exuberance.

If you live a fairly quiet life, as I do, the time you spend writing may not seem all that different from the time you spend staring at the wall, flipping channels, surfing the web, or leaning on the open door of the refrigerator for the fourth time in twenty minutes. Such mind-numbing activities may actually increase the appeal of the writing process, turning each typo and turn of phrase into the most galvanizing thing that has ever happened to you, but the banality of such an existence presents a problem. Where more outgoing writers survive secluded toil by subsisting on memories of social conquests and defeats, or even pending legal action, mild-mannered types are at serious risk of cerebral whiteout, where the isolation necessary for work merges indistinguishably with the vapidity of down time.

While it is possible for introverted writers to break up the monotony of their non-writing life by engaging in socially acceptable forms of self-abuse like exercise or watching the news, the real problem with being a low-key person in a low-key profession is that it’s often hard to find motivations that can withstand the darkest hours of the writing process. Where your more socially engaged writer always has an intellectual foe they’re determined to prove wrong or embarrass, or a object of fancy they aim to seduce with the words flowing from their fingertips, the loner writer (not to be confused with the antisocial writer) often struggles to remember why they’re subjecting themselves to torment when they could just as easily be staring at a crack in the ceiling.  [ Read more ]

Interactive Entertainment and Detached Eddies

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Stand beside a mountain stream and observe the water for a while and you’ll see that most of it moves in a continuous flow. Look a little closer, however, and you’ll see that the bed of the stream and objects in and along the stream — logs, boulders, the legs of a bear — all have an effect on the flow due to friction. Look closer still — say, at a rock near the edge of the stream — and you’ll find that the flow may slow to a halt if not actually move in the opposite direction, creating what is commonly called a whirlpool, but more accurately described as an eddy. Peer at the boundary between the flowing current and the eddy and you’ll see smaller eddies form and detach again and again, dissipating as they flow downstream because they are no longer powered by the object in the stream that created them.

Known as detached eddies in the science of fluid dynamics, these disconnected but still churning whorls can also be spawned in the atmosphere, as bodies of air move over the landscape or interact with each other. Heat water to the right temperature and move a low pressure area over that water and you may spawn a monstrous hurricane that lasts for days and travels thousands of miles. Move that same hurricane over dry land, however, detaching it from its power source, and it will slowly dissipate, even as it may still wipe entire communities off the face of the earth.

The key component of an eddy, and what distinguishes an eddy from a vortex, is that in the middle of an eddy there is a void — a place of calm that experiences none of the rotational effects of the moving fluid that defines the eddy itself. Drop a leaf in the center of an eddy caused by even the most ferocious mountain stream and it will float exactly where you dropped it. In a vortex there is no void, but vortices can also detach like eddies. This is known, sensibly enough, as vortex shedding — a phenomenon that has led to practical applications in the real world such as winglets on airplanes.  [ Read more ]

The Healthy Writer

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Like many writers, I spend a lot of time sitting still. Maybe even more than most.

While I’ve always known activity is better than inactivity, like most writers I assumed I could balance the two in some fashion. Say, nine hours in front of the keyboard might be compensated for with thirty solid minutes of insane activity that left me gasping for breath and aching for days afterward. Lots of pain, lots of gain, so to speak.

I had this mathematical security blanket shattered early last year when it was reported that no amount of exercise could ever compensate for sitting still even for only a few hours a day:

The study followed 4,512 middle-aged Scottish men for a little more than four years on average. It found that those who said they spent two or more leisure hours a day sitting in front of a screen were at double the risk of a heart attack or other cardiac event compared with those who watched less. Those who spent four or more hours of recreational time in front of a screen were 50 percent more likely to die of any cause. It didn’t matter whether the men were physically active for several hours a week — exercise didn’t mitigate the risk associated with the high amount of sedentary screen time.

Like many writers who read that damning research I first denied that it applied to me because I’m not Scottish. In fact I’m mostly English, and as anyone who can read a map knows, England is all the way at the southern end of Scotland. In fact, England is so far away from Scotland it’s almost touching France. And you know how healthy the French are, despite rampant alcoholism and heavy smoking.

Given that I don’t drink or smoke and that I’m practically French, I told myself I had no reason to worry. Yet the report was so brutal and uncompromising, and I’ve spent so many years sitting absolutely perfectly still, in the back of my mind I thought I might die retroactively — say, back to 1994.  [ Read more ]

E-book Reader Update

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I still don’t own an e-book reader. Until a few days ago I hadn’t been particularly intrigued by any of the current models, but PC Magazine’s review of a new version of the Nook Simple Touch caught my attention:

With E Ink screens, you need an external light source—that is, until now. The Barnes & Noble Nook Simple Touch With GlowLight ($139 direct) includes switchable edge lighting, like you’d find on an ultra-slim LED HDTV. You’ll pay more for the privilege—$40 more, to be precise, over the existing Nook Simple Touch ($99 direct, 4.5 stars), which remains in the B&N lineup.

I spent all the hours I ever intend to spend staring at an electronic screen that requires ambient lighting when I was playing games on my original Gameboy. The idea that I might be able to read an e-ink screen in a dimly lit environment like, say, my bedroom, has considerable appeal when compared to reading in, say, a bustling cafeteria. (Along with its review of the new Nook, PC Magazine released a roundup of all of the current readers. Although their five-circle rating system has always been badly skewed toward the high-end, it’s fairly reliable when comparing products across a particular segment.)

When B&N’s Nook first came out it was lambasted by the same tech snobs that turned Apple into a religion. While the Kindle is still the leading e-book reader, the fact that the Nook is holding its own — let alone introducing new features — is having an effect on both Barnes & Noble’s economic health and competition in the e-reader market. Specifically, Microsoft, always looking for an opportunity to cross swords with Apple, Google and Amazon, is now investing heavily in B&N:

The e-book market is still young; if Amazon continues to be seen as the enemy, there’s no reason in theory why the Nook shouldn’t become just as popular, if not more so. It’s true that you can’t read Kindle books on your Nook, or vice versa, but over the long term, we’re not going to be buying Kindles or Nooks to read books. Just as people stopped buying cameras because they’re now just part of their phones, eventually people will just read books on their mobile device, whether it’s running Windows or iOS or something else. And that puts Amazon at a disadvantage: the Windows/Nook and iOS/iBook teams will naturally have much tighter integration between bookstore and operating system than anything Amazon can offer.

Whether that bit of prognostication proves accurate or not, Microsoft’s involvement can only broaden the range of e-reader options and help keep prices competitive, and that’s good for everyone who isn’t manufacturing e-book tech. More here on Microsoft’s gambit from the Wall St. Journal.

Not too long ago there was serious speculation that Barnes & Noble might follow Borders and other big-box bookstores into the dust bin of history. I don’t know that anyone thought the introduction of the Nook would potentially lead to B&N’s salvation.

Update: The Nook Glowlight seems to be a hit.

Barnes & Noble plans to add near-field communication (NFC) technology to its Nook e-reader platform, chief executive William Lynch said Tuesday.

Lynch also revealed that the Barnes & Noble Simple Touch with Glowlight, B&N’s latest Nook, has sold out.

I’m not surprised. In e-book reader commercials everyone may be reading at the beach, but in real life the only people reading on a beach are wearing one of these and still going blind.

— Mark Barrett

Social Media Narcissism

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From Klouchebag.com developer Tom Scott:

“Klout annoys me for the same reason that search engine optimization annoys me,” Scott said. “It’s an enormous amount of effort designed to game an arbitrary and often-changing system. Imagine if all that time went into actually making interesting things, or caring about the people around you.”

Better yet, skip the imagining and get to work. Or skip the work and express interest in the people around you.

Either way I think you’ll be pleasantly surprised by the return on your investment.

Update: Nicholas Thompson at The New Yorker chimes in on social media and Klout here.

— Mark Barrett

Housecleaning

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I took a stroll through my blogroll today and pruned sites that are no longer updating or relevant to my evolving interests. It’s been a while since I surveyed the self-publishing ditch to see what may have sprouted, so my plan is to do more site seeing and replace sites that have gone to seed with sites that are sprouting or in full bloom.

— Mark Barrett

Where Were We?

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Two years ago, when the major publishing houses got together with Apple and conspired to fix e-book prices, they did so not because Apple was sexy and Steve Jobs was a benevolent god and the iPad was about to launch, but because Amazon was the devil.

Somehow, in the intervening era of Apple-mania, that narrative has been skewed. But that skewing is about to snap back with a vengeance:

The government’s decision to pursue major publishers on antitrust charges has put the Internet retailer Amazon in a powerful position: the nation’s largest bookseller may now get to decide how much an e-book will cost, and the book world is quaking over the potential consequences.

This is, in fact, exactly what drove the publishing industry en-mass into Apple’s price-fixing arms two years ago. Because if Amazon can sell e-books at prices below what the publishing industry sets — as a loss leader for the Kindle, or simply as a way to stab the publishing industry in the heart until it begs for mercy — the publishing industry effectively loses control of its product. And that’s the last thing quarterly shareholders want to hear.

— Mark Barrett

Publishing is for Professionals

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Despite public acceptance of self-publishing as a viable means of expression, the traditional publishing industry continues to claim that it is the final arbiter of what’s good and right and culturally relevant. Today the U.S. Justice Department agreed that self-publishing authors pale in comparison with their industrial counterparts:

The U.S. Department of Justice filed a lawsuit against Apple and several book publishers Wednesday morning, claiming they worked together to artificially prop up prices for e-books. .

The publishers sued were Hachette SA, HarperCollins, Macmillan, Penguin and Simon & Schuster. The suit was filed in a district court in New York.

“Apple facilitated the publisher defendants’ collective effort to end retail price competition by coordinating their transition to an agency model across all retailers,” according to the complaint.

Real publishers illegally conspire with giant, anti-competitive, ruthless, monopolistic media companies like Apple to fix prices and screw their own customers in pursuit of profits. Self-publishing authors don’t do any of that, and probably never will.

— Mark Barrett