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Control Your Copyrights

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Regular readers know that I harp from time to time on the idea of authors retaining their copyrights. I’ve been doing this because there’s no clear metric other than raw dollars by which an author can calculate the value of a publishing deal compared with the value of retaining and exploiting copyright ownership themselves. And raw-dollar comparisons are hard to come by.

Which is why this post from Joe Konrath should be the first thing you read today, and tomorrow, and any day a publisher comes calling:

My five Hyperion ebooks (the sixth one came out in July so no royalties yet) each earn an average of $803 per year on Kindle.

My four self-pubbed Kindle novels each earn an average of $3430 per year.

If I had the rights to all six of my Hyperion books, and sold them on Kindle for $1.99, I’d be making $20,580 per year off of them, total, rather than $4818 a year off of them, total.

So, in other words, because Hyperion has my ebook rights, I’m losing $15,762 per year.

It’s only one example. And this author is profiting indirectly from having had his books published by a publisher — including any editing, design work, previous marketing, etc., which helped attract attention to his name and stories. But he’s also being very clear: controlling his copyrights would be putting more money in his bank account.  [ Read more ]

Fiction is Truth

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I’ve been reading The Good Soldiers by David Finkel. It’s a factual recounting of the deployment of the U.S. Army’s 2-16 Battalion during the surge in Iraq.

Something about the book struck me as both familiar and true, despite the fact that I haven’t been in the army and I haven’t been to Iraq. Then I ran across this passage and the lightbulb came on:

On June 20, Kauzlarich was boack on the air on PEACE 106 FM.

“Sir, there is talk that security is bad and getting worse. What is the way ahead to improve security?” Mohammed, whose name was not really Mohammed, asked in Arabic, which was translated into English by an interpreter named Izzzy, whose name was not really Izzy and who had replaced Mark, who had been arrested and jailed for extorting money from other Iraqis working on the FOB, all with fake names as well.

Frankel’s book and the story of the 2-16 remind me of this:

“And the people you sell the eggs to at four and a quarter cents apiece make a profit of two and three quarter cents apiece when they sell them back to you at seven cents apiece. Is that right? Why don’t you sell the eggs directly to you and eliminate the people you buy them from?”

“Because I’m the people I buy them from,” Milo explained.

That’s from Joseph Heller’s novel, Catch-22. I could have pulled a hundred different passages from that book that would have said the same thing. Reality is insanity. Fiction is reality.  [ Read more ]

On the Origin of Rewriting

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Every young writer should see this (via if:book), but you’ll be fascinated, too. (Ben Fry’s presentation is wonderful.)

We often think of scientific ideas, such as Darwin’s theory of evolution, as fixed notions that are accepted as finished. In fact, Darwin’s On the Origin of Species evolved over the course of several editions he wrote, edited, and updated during his lifetime. The first English edition was approximately 150,000 words and the sixth is a much larger 190,000 words. In the changes are refinements and shifts in ideas — whether increasing the weight of a statement, adding details, or even a change in the idea itself.

I have good friends who were afflicted early-on — thanks to the assistance of ignorant parents and teachers — with an unshakable belief that great words flow unbidden from great minds. When these friends fail to execute a bit of writing at the moment of conception they take it as a sign of failure, if not inherent failing in themselves.

My own experience as a writer and as a student of writing is that great words are a torment and struggle for all writers on all but the rarest of days. I have met no Mozarts in Literature, writing whole scores with no erasures. I have met and read only hard-working writers who know that the first draft is exactly that.

We walk with a skeleton designed for effortless walking.

Our minds were not designed for effortless poetry and prose.

— Mark Barrett

The DIY Author

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Found a funny New Yorker piece on Twitter yesterday. Good for a laugh all the way through, but this (small spoiler/tease) was priceless:

We can send you a list of bookstores in your area once you fill out the My Local Bookstores list on your Author’s Questionnaire.

Worthy of Heller.

— Mark Barrett

Finding Common Ground

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This post is in response to a recent series of Huffington Post editorials about the future of publishing. Each voice in these editorials, like each voice in the larger ongoing conversation, has a valid point of view. Ignoring how we got where we are, however, or the realities of this moment, fails to address the future that is hurtling toward us.

On Thursday, October 7, Mark Coker, CEO of Smashwords, posted an editorial titled, Why We Need $4.00 Books. As the head of a company devoted to servicing the e-book market, it’s not surprising that Coker touted the functional and distribution advantages of e-books over published texts, or that he focused on the crushing costs associated with maintaining the traditional publishing model while ignoring e-book costs and the threat of digital piracy. Coker also took notice of the publishing industry’s recent decision to withhold e-book versions of frontlist titles as a defense against cannibalizing book sales:

Many publishers view ebooks with a skeptical eye. After all, won’t cheap ebooks cannibalize expensive print books?

This is the wrong way to examine the situation. Lower cost ebooks help publishers retain customers who might otherwise abandon books altogether in favor of lower cost alternative media options.

Ebooks also hold the promise to expand the worldwide market for books. Hundreds of millions of new middle class and literate consumers have come online outside the US, especially in developing countries.

In Coker’s view e-books equal a larger market share for an industry facing intense competition for eyeballs. This larger market share would in turn compensate authors and publishers for a lower per-copy price.  [ Read more ]

Site Seeing: April L. Hamilton

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When you’re digging into a subject on the internet, there comes a point at which the site links you’re following become known paths, and those paths start doubling back on each other with increasing frequency. It’s at this stage that you confront two possibilities:

  1. You’ve discovered all there is to discover on the subject.
  2. You’ve discovered a self-contained network on the subject, and there are other undiscovered networks dedicated to the same subject.

It seems counterintuitive that this could happen in an information age defined by search-engine and browser arms races, but it happens to me all the time. I search on a given subject, I follow the links, I seem to run out of fresh links, then I sit there, wondering: is there another system of links out there just like this? Am I missing it? Am I not searching for the correct keyword, variable or wildcard?

Maddeningly, there is no way to verify either possibility without actually searching for something that may not be there, and even then the best you is call off the dogs when the sun goes down and tell everybody back at the camp that you did your best. I mean, in the spy business this is why CIA operatives go funny in the head looking for moles. You can’t prove a negative.

I say this as preamble to frame my experience of stumbling onto April L. Hamilton and her various online incarnations. It’s also a lesson in doing due diligence as a researcher, which means digging into web sites, following links, reading comments, following links in comments, and generally being exhaustive in the way that you would be if you thought a big pile of money was waiting for you to find it.  [ Read more ]

Ten (Non-fiction) Reads

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When I was writing screenplays I watched a lot of movies. Binges of them. Blackout binges.

When I’m working on interactive titles I tend to play games obsessively and read up on the latest failed attempts at interactive storytelling.

What’s been really enjoyable about turning toward the publishing industry over the past few months is that I’ve re-established a long-lost love affair with the New Books shelf at the local library. In doing so I’ve worked my way through a surprising number of books, and I’d like to pass along* the titles** of the ones that stuck with me.  [ Read more ]

GeoCities, Scribd and Your Content

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I ran across a short note on Mashable yesterday announcing that Yahoo will be closing GeoCities this month. While the post rightly notes that GeoCities was one of the first social networking sites, that’s not what I first thought about when I read the news.

What I thought of was this:

In January 1999, near the peak of the dot-com bubble, Geocities was purchased by Yahoo! for $3.57 billion in stock, with Yahoo! taking control on May 28. The acquisition proved extremely unpopular; users began to leave en masse in protest at the new terms of service put out by Yahoo! for GeoCities. The terms stated that the company owned all rights and content, including media such as pictures.

Yes, you’re reading that right. Yahoo paid 3.5 billion dollars for an online community, then one of the first things they told every user in the GeoCities community was that Yahoo now owned all of the content on each and every GeoCities web site. In the business world this type of decision is known as the dumbest thing anyone has ever done.  [ Read more ]

The Medium is the Model

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I took a long ride yesterday on Metaphor (my imaginary horse), trying to clear my head. There are so many cross-currents in the issues facing publishing that it’s easy to become overwhelmed, confused and convinced that each new issue needs to be attacked or defended on the merits. Riding aimlessly under a blue sky filled with nothing but wispy clouds and narrative dreams tends to diminish the immediacies of any online debate. The names of individual plants, birds and butterflies fade into the landscape, becoming part of a vital evolving whole that can be observed and understood in no other way.

Take the theory of The Long Tail, as put forward by Chris Anderson. I’ve read about it before, and heard about it for years, but lately there have been studies published that question the validity of the theory. Being a conscientious sort I started reading up on the issue and thinking it through myself, and even started several posts on the subject — all of which derailed due to subsequent articles I ran across while trying to nail down my thoughts.

In the end I had more questions than answers. If history is any guide, that meant there was nothing in the Long Tail that was going to help me solve the issues I’m confronting as an independent author. So I officially have no opinion on the theory. I’m opting out, again.  [ Read more ]

Site Seeing: Guy Gonzalez | Loud Poet

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If I have a weakness for anything it’s simplicity. Where a lot of people like to dress things up or add detail, I like to strip things down and emphasize what’s essential. Neither approach is right, really, unless of course you’re trying to figure out how something works. In that case, ignoring the noise and focusing on the mechanics is not simply a subjective choice, it’s objectively necessary.

Guy Gonzalez at LoudPoet.com seems to have that same approach, and it’s one of the reasons I keep learning something every time I visit his site. In the hive-mind world of social networks Gonzalez often sounds like an old hand, and that’s not easy to do in a medium still in its infancy.  [ Read more ]