screenwriting

Run It Like A Business

July 4, 2022 By Mark Leave a Comment

In the summer of 2015 — which may seem a lifetime ago to you, but oddly doesn’t to me — I was bumbling my way through time and space, when a small cabal of co-conspirators used a fake, state-funded presidential search to jam a former senior business executive into the president’s office at the University of Iowa, my alma mater. A little over a year later, in their finite wisdom, the citizens of the United States elected an infamous serial entrepreneur as president of the entire country, albeit as a result of a free and fair election. In both instances the pro-business community in America championed these developments as exactly what was needed to break out of the status quo and bring solid business acumen to bear on the problems facing the institutions those men would lead.

I leave it to you to judge the merits of their respective presidencies, and how their business savvy benefited their constituencies. I was recently reminded, however, of that particular historical convergence while watching the movie Stagecoach, which was released in 1939. Notable in its own right as a film, Stagecoach is also the first of a number of collaborations between director John Ford and actor John Wayne, who — though he had dozens of screen credits to his name at the time — appeared in what was one of his first starring roles.

Among the characters in the movie is a banker named Henry Gatewood, who lets loose this diatribe while traveling on the fated stage:

GATEWOOD: I can’t get over the impertinence of that young lieutenant. I’ll make it warm for that shavetail. I’ll report him to Washington. We pay taxes to the government and what do we get? Not even protection from the army. I don’t know what the government is coming to. Instead of protecting businessmen, it pokes its nose into business. Why they’re even talking now about having bank examiners. As if we bankers don’t know how to run our own banks. Why Boone, I actually have a letter from a popinjay official saying they were going to inspect my books. I have a slogan that should be placed on every newspaper in the country. America for Americans. The government must not interfere with business. Reduce taxes. Our national debt is something shocking. Over one billion dollars a year. What this country needs is a businessman for president.

While listening to that speech — convincingly delivered by actor Berton Churchill — it struck me as noteworthy that eighty years ago screenwriter Dudley Nichols had his finger on the same attitude that seemed to appeal to so many in 2015 and 2016, and is clearly still with us today. I know there are no new stories, and the cult of the entrepreneur probably reaches back millennia in human history, but it was still jarring hearing a character that was written the better part of a century earlier issue words which are bandied about today by ostensibly serious thinkers. Relatedly, I would also add that the reason businessman Gatewood is taking the coach is because he is making off with a satchel of money embezzled from his bank.

— Mark Barrett

Scriptwriting Software

July 24, 2012 By Mark 1 Comment

Over the past year I’ve been thinking seriously about scriptwriting for the first time in a long time. A few screenplay ideas have offered themselves up as they always do — the majority of them irreverent comedies I’d like to write mostly to entertain my dull self — but I’ve also had a stageplay nagging at me in an uncomfortably persistent manner. As professional writers do when faced with the harrowing prospect of devoting time and energy to new projects, I finally relented to inspiration and budgeted some haphazard internet surfing time to looking at productivity tools as a begrudging means of avoiding any actual work.

Scriptwriting Software in Context
Before I offer up the results of my lackadaisical survey, a word about scriptwriting software in general. Computer technology has advanced so far during the course of my life that where success was once solely determined by performance specifications and productivity, high-tech hardware and software are now indisputably fashion-first industries. Precisely because everything from processing power to storage can be had in generic abundance for literal pennies, the marketplace is now more concerned with metrics like hipness, cultural relevance and branding than reliability and usability. Even something as purportedly revolutionary as the tablet computer is, for all its hype, simply a more comfortable way to kill time on the couch, albeit with panache.

So if you take nothing else from this post, remember: scriptwriting software will not make you a better writer, a more professional writer or a more successful writer. Most of the scripts I worked on for cash money were either written on a typewriter, typed up by someone else on a typewriter or word-processing program, or written by me on a computer using a now-defunct commercial package of macros compatible with various versions of Microsoft Word. Even when dedicated scriptwriting applications hit the market I stayed with my old-school methods, and I don’t remember feeling as if my work suffered. In fact, to the contrary, I often had a sense of smug satisfaction when I encountered grumbling comments from early-adopting and agitated peers who hd slaved themselves to a fussy proprietary formatting program. Life lesson: be very leery of installing an additional layer of balky complexity between you and your work.

A decade later, when I was primarily writing for interactive companies my work flow became even simpler. I still used Word, but instead of buying a new version of macros ever year or two for each new bloated release from Microsoft, I grabbed a small set of freeware macros off the internet that covered 99% of the formatting I intended to use. Small customizations to the default settings covered the rest, and all without so much as a separate interface or complex control-key learning curve.

Whether I’m really, truly interested in writing a script (or two, or five) I don’t know. One thing I am sure of, however, is that for the time being I’ll be happier pretending those shiny new ideas in my head won’t go to waste, so looking at scriptwriting software seems a reasonable response in any case. It’s probably been eight years since I used even the simplest tools for scriptwriting, and if I’m going to revisit that mode of storytelling I should probably do so cognizant of the latest tools. Particularly if the features I care about most are available in a single product, eliminating any need on my part to create workarounds or hacks, or to once again bend Word to my rusty iron will. [ Read more ]

Scrutinizing Third Person, Present Tense POV

July 5, 2010 By Mark 15 Comments

When I first started telling stories almost all third-person fiction (and first-person for that matter) was written in the past tense:

Carlos went into the dealership and looked around. He knew the salespeople would descend on him soon, and it was all he could do to stand his ground.

Past tense means the events happened some time ago, and you’re writing about them as such. The story already happened, and you’re telling it to someone at a later time.

For fifty years prior to my own apprenticeship, everyone who had any interest in telling stories also secretly aspired to writing the Great American Novel. You weren’t a real writer if you didn’t have an unfinished novel in your desk.

At about the same time that I was learning my craft, however, something was happening in Hollywood that would change all that. Directors like Coppola and Spielberg and Lucas were breaking out of the classic Hollywood production pipeline and bringing wildly entertaining and successful movies to the screen. The documents they worked from — the scripts — were also becoming literary properties in themselves. Writers were starting to sell scripts outright, and some of those scripts were selling for what anybody would call a chunk of money.

Almost overnight — by which I mean the five year span between the early and late 1980’s — writers went from having novels in their desks to having screenplays in their desks. When Syd Field published a book called Screenplay the gold rush was on. [ Read more ]