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Social Networks and Self-Inficted Storytelling

March 21, 2012 By Mark 4 Comments

There’s no question that the internet has changed the world for the better. Individual voices now have as much reach as the dominant political and cultural voices had when every broadcast medium was controlled by gatekeepers. Aggregate enough individual voices and the power to dispute if not disrupt corporations or governments anywhere on the planet becomes real, in real time.

This feeling of empowerment was a critical factor in mass adoption of the internet. For the first time in history individuals were no longer limited to yelling back at their televisions and radios, but could immediately broadcast their own responses. While most such responses proved to be inane, some were, shockingly, no less informative or entertaining than what the cultural gatekeepers were shoveling. In short order these unknown but insightful individual voices validated the internet not simply as an email delivery system but as a democratic medium of mass communication. If you wanted incisive commentary on the web about anything from a film to a political battle you were as likely to find it on an obscure blog as you were on the website of a mainstream media outlet. Those mainstream voices, saddled as they were with bureaucratic restrictions and marketing directives, were outgunned by individuals who had no axe to grind except the facts of a matter and no audience to pander to but themselves.

While this revolution prompted a virtual land-grab by individuals eager to set themselves up as online experts, watchdogs or counter-culture trendsetters, not everyone wanted to manage their own site. What the revolution did confirm for everyone, however, was something that had long been suspected. In the media universe of programs and publications authored by other people, each of us was the content we’d been waiting for.  [ Read more ]

Filed Under: ~ Tangents, Fiction, Publishing Tagged With: Facebook, Fiction, social networks, story, storytelling, Twitter

WIG&TSSIP: Mystery and Curiosity

May 16, 2011 By Mark Leave a Comment

The Ditchwalk Book Club is reading and discussing Rust Hills’ seminal work, Writing in General and the Short Story in Particular. Announcement here. Overview here. Tag here.

Mystery is the first of three types of suspense that Hills analyzes, and I think it’s fair to say he’s dismissive of mystery as a technique. Despite my own life-long enjoyment of mysteries as a genre, I don’t disagree with his reasoning:

Stories where mystery is deliberately the method, and curiosity about the ending is the whole desired effect, are usually trick stories with wow endings.

Even as you may be bristling at Hills’ highbrow perspective, you probably know exactly what he’s talking about. Mystery can become an all-consuming, story-obliterating objective. As Hills himself notes, everyone has read a book in which the only reason for turning the page sprang from a singular desire — curiosity — to find out the answer to a mystery. Works in which mystery is the “whole desired effect” cannot help be feel insubstantial, if not insincere.

Yet: like sex, mystery does attract attention in fiction. It’s often meaningless attention, resolved by some equally meaningless bit of cleverness, but it works.

To see the raw effect of mystery and curiosity, think about any magazine headline with the word ‘secret’ on it. For a certain percentage of the human species that’s all that’s needed to invoke curiosity, prompting the reader to investigate further. It’s simplistic, even idiotic, but it works.  [ Read more ]

Filed Under: Fiction, Interactive Tagged With: design, game, Interactive, mystery, Rust Hills, storytelling, suspense, uncertainty, WIG&TSSIP

The Ditchwalk Book Club: WIG&TSSIP

March 26, 2011 By Mark 16 Comments

For some time I’ve been wanting to talk about what I believe is the best book ever written on the subject of storytelling.* Rather than simply identify it and applaud, however, I’m going to walk through the entire book in a series of blog posts. If you’re interested in grounding your storytelling with a solid foundation of craft I encourage you to buy a copy of the book and follow along. I don’t promise it will change your life, but I’m confident you will profit from the discussion, and perhaps considerably so.

The author of the book is L. Rust Hills, the former long-time fiction editor at Esquire magazine. I was fortunate to meet Rust when I was a fiction writing student, and he had a profound effect on my understanding of storytelling as a craft. From him I learned more about how fiction is constructed than I did from any other source, and I remain indebted to him for that instruction. (Mr. Hills died in 2008.)

The good news is that most of what I learned from Rust Hills comes from a small book he wrote that is still in print. Titled Writing in General and the Short Story in Particular (WIG&TSSIP), Hills’ book treats every aspect of fiction writing as a craft technique, and shows how specific narrative choices create specific effects. Rather than resort to formulas, Hills focuses always on the author’s intended effect, and whether or not the author accomplished that objective. The goal is never replicating a form, but rather accomplishing the storytelling goal you intend to accomplish for your intended readers.

It’s true that Hills was a dedicated proponent of literature, so you might be worried that his book is a ponderous tome. Nothing could be further from the truth. WIG&TSSIP is plain spoken and accessible to everyone. Too, the points and observations he makes about writing literature apply to every kind of storytelling. If you’re a genre writer or tend to favor a particular formula, reading Hills’ book will improve your writing without asking you to abandon your beliefs because it will make you aware of the interconnectedness of your words on a deeper level.

If you’re interested in the craft of fiction — either as a writer or a reader — I encourage you to get a copy of Hills’ book and follow along. In order to give everyone time to find a copy or have one delivered I’ll be starting the discussion in about a week.

* Yes, that’s a bold claim. Regular readers know I don’t hype recommendations, but in this case I think the praise is warranted. I’ve read a lot of how-to books on fiction writing and nothing else has ever come close.

— Mark Barrett

Filed Under: Fiction Tagged With: Rust Hills, storytelling, WIG&TSSIP, writing

Blog Fiction and NeilRorke.com

October 18, 2010 By Mark 2 Comments

I’ve been thinking about publishing and fiction and the internet for over a year now, in a dedicated way. I’ve been thinking about storytelling my entire life.

How do stories take hold in the mind of the audience? How is any story changed by the medium of expression? What are the necessary ingredients of a story? What is the craft knowledge any storyteller should have?

I don’t have all the answers. I can get fifty pages into a work and be as lost as anyone who ever wrote. But I also think I understand the basics, and after fifteen years of thinking about interactive storytelling I think I know where the limits are as well.

In time the internet will become a storytelling medium itself. It’s not there yet, but the potential is considerable. To further that goal I’ve put up a site that I hope to grow over time. It’s a storytelling experiment in low-tech transmedia, aimed at entertaining an audience while also discovering and advancing useful internet-based storytelling techniques.

I’ll be discussing NeilRorke.comin greater detail, but for now I wanted to let you know that it’s up and ask for feedback. What do you think?

— Mark Barrett

Filed Under: Blog Fiction Tagged With: blogs, Fiction, internet, medium, Neil, NeilRorke.com, Rorke, story, storytelling

Blog Fiction: An Introduction

October 16, 2010 By Mark Leave a Comment

Blog fiction sees the internet not as a distribution pipeline or as a means of presenting stories, but as a storytelling medium itself.  Text, sound, image and movement have all been used to create and embrace fictional characters, events and places in other mediums, and the internet will be no different.

Blog fiction attempts to advance the cause in two ways.   First, by being honest, open and upapologetic in this aim.   Second, by calling attention to ways in which internet storytelling might move toward mature  craft techniques similar to those in print, film, television and theater.

The first step on the journey to realizing the potential of blog fiction is clarifying the medium for the intended audience.  Just as a book has its cover, a movie its opening credits, and the stage its rising curtain, blog fiction requires demarcation.  Without such a portal the audience may be confused about the intent of the experience, or distracted by authorial intrusions.

To see version 0.1 of a proposed technical and craft solution, click here.

Filed Under: Blog Fiction Tagged With: blogs, Fiction, internet, story, storytelling

The Storytelling Life

August 27, 2010 By Mark 4 Comments

If you are interested in telling stories I want you to do something for me. I want you to protect that desire from your friends, your family, your peers, your online acquaintances, the literati, the critics, the publishing world and, most importantly, you.

If you decide at some point that storytelling no longer interests you that’s fine. What’s not fine is to think there’s some metric by which you must measure success. And the last possible metric you should measure success by is money.

I’ve been paid for my storytelling skills more than once. I have been and am a professional writer. But the storytelling I’ve done that has made money is only part of my storytelling life. The epicenter of that life, the core of my storytelling drive, is the mystery and promise of the blank page. It has been that way since I was a child, and I have protected that core from every assault waged against it.

I have not, however, always put storytelling first. For much of my adult life I put relationships ahead of my desire to tell stories, and I have no regrets about that. To do anything else would have been unthinkable to me. If life is short, and it is, then it’s for damn sure too short to be spent satisfying an itch while the people you love go wanting.

There were of course times when I was frustrated. And there were times when I could have written but I wasn’t supported in doing so. But even during the worst of it I didn’t feel as if I had to make a final decision one way or the other. I didn’t have to choose precisely because I never intended to let storytelling go. What I want you know is that you don’t have to choose either.  [ Read more ]

Filed Under: Ditchwalk.com, Fiction Tagged With: craft, life, storytelling, writing

Where Stories Come From

June 8, 2010 By Mark 7 Comments

Many moons ago I found myself in a bar called Green’s Grocery just outside of Nashville, attending a wedding reception for an old friend of mine. After wishing the newlyweds well I found an empty chair and struck up a conversation with a very nice man who turned out to be an accountant. When he asked what I did for a living I told him I was a storyteller. His eyes widened a bit as if I had confessed to alchemy.

From that moment it was little more than a hop, skip and jump to the question that every writer is asked sooner or later: where do you get your ideas? It was a question I’d been asked before, but until that day I had never fully realized that the human ability to invent stories or cobble them together out of life events is not universal.

As I talked with the man, and struggled to explain how ideas came to me, it became clear that he had never had the same thing happen to him. The more I tried to abstract the process, or explain it by using analogies, the more he insisted that the kind of narrative genesis I had been familiar with since childhood was simply foreign to him. The absurdity of the thought almost convinced me that he was pulling my leg, but it was obvious that he wasn’t. He simply did not think that way.  [ Read more ]

Filed Under: Fiction Tagged With: life, stories, story, storytelling

A Generational Definition of Insanity

May 3, 2010 By Mark 5 Comments

You’ve undoubtedly heard this before:

The definition of insanity is doing the same thing
over and over and expecting different results.

I’m old enough now that I can attest to the truth of that saying from both observation and personal experience. The antidote, of course, is to recognize behavior patterns and interrupt them — provided you have the clarity of mind to do so. It’s not easy, and it runs against the human tendency to resist change and protect the ego, but it can be done. As is also often said, admitting you have a problem is the first step.

A related but much more insidious problem involves the repetition of behaviors over the course of generations. These generations may be literal, coming along every twenty years or so, or they may be developmental and occur with greater frequency. In each case, however, new generations are predisposed to repeat experiences precisely because they arrive on the scene oblivious to what has gone before.

There are two main reasons for the perpetuation of such generational blindness. The first is the failing of previous generations to pass along useful knowledge, or to make knowledge available and digestible in ways that are accessible and relevant. The second is the failing of new generations to recognize that a distinction must be made between what is new to them (as a group or as individuals), and what is actually new.

For example, at some point most people becomes fascinated with their own sexuality, often to the point of distraction. Yet no one would argue that this process for any individual sheds new light on the human condition, or represents a break from the past. Coming to terms with one’s own desires and biological essence is exciting, intoxicating, and so utterly commonplace as to be mundane. That such newness can feel transcendent to the individual or group is clear, even as it is demonstrably not new. (Without ‘going there’, try conceptualizing your parents or grandparents as the sexual being you believe yourself to be. Because they are/were.)  [ Read more ]

Filed Under: Fiction, Interactive, Publishing Tagged With: Interactive, storytelling

Following the Money

November 10, 2009 By Mark Leave a Comment

What are the economics of being a professional author? I know how much I’ve made as a storyteller in various mediums, but the book business is still pretty much a mystery to me.

To the extent that I’ve been able to fill in any blanks I owe individual authors for having the courage to talk about their own experiences. While each story is different, they’re all adding up to a useful composite, and particularly so given all the forces at work and changes taking place in the industry.

For example, today I ran across a follow-up post by Lynn Viehl on Genreality, talking about The Reality of a Times Bestseller:

So how much money have I made from my Times bestseller? Depending on the type of sale, I gross 6-8% of the cover price of $7.99. After paying taxes, commission to my agent and covering my expenses, my net profit on the book currently stands at $24,517.36, which is actually pretty good since on average I generally net about 30-40% of my advance. Unless something triggers an unexpected spike in my sales, I don’t expect to see any additional profit from this book coming in for at least another year or two.

Is that a sobering reality? Easy money? I have no idea. I don’t know how many hours Lynn put into that title, so I can’t do the workaday math. Still, if you didn’t live a big city or have any consuming vices you could probably squeak by on that money, provided you had the same amount coming in next year…but then that’s not a given, is it? (Speaking of givens, Lynn blows up a number of myths in the post, and in the prequel.)

In a previous post I noted Joe Konrath’s sales figures for both traditional publishing and self-publishing of his novels, and that’s also worth a look.

For pure self-publishing numbers I’ve been relying on posts by Dan Holloway writing as a pair of shoes. You can read his initial accounting here, and his latest here.

If you’re a literary fiction writer, how many books do you have to sell to call yourself a success? 7,000.

If you’re an online fiction writer, are there ways to monetize your content? Sure.

Update: Publishing your own RPG? Here’s what it cost someone to do just that.

I’ll post more as I find it. If you’ve already found it, let me know.

— Mark Barrett

Filed Under: Publishing Tagged With: author, Joe Konrath, MCM, money, Publishing, storytelling, writing

The Agony of Success

September 28, 2009 By Mark Leave a Comment

Why do storytellers tell stories? There are as many reasons as there are writers. Here’s a sampling.

One thing I’ve never been comfortable with, however, is a storyteller — and particularly a successful storyteller (however you gauge success) — who talks about how difficult, unbearable, agonizing, hopeless, unrewarding, soul-destroying, righteous, brutal, painful, exhausting or heroic the job of storytelling is.  [ Read more ]

Filed Under: Fiction Tagged With: storytelling, writers

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