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Setting Ascendant

May 8, 2003 By Mark Leave a Comment

I’ve played enough Wind Waker now to say categorically that virtual sailing has never been more enjoyable. While the fact that I can cause my little boat to jump out of the sea on command may take away from the purity of the simulation, numerous other aspects of the game more than make up for that quibbling bit of fancy.

As with many games, however, some of Wind Waker’s greatest joys are passive: a glimpse of some far-off vista, a coming storm churning a foamy sea, a craggy island jutting into a swirling cauldron of clouds. In such examples it is the setting, and not the game mechanic itself, that provides an emotional payoff, and I’m hopeful that setting is going to become a more important aspect of game design for just that reason.

As I mentioned regarding Morrowind in my last post, the right combination of detail, distance, and discovery can make a place seem alive and vital, and I think our audience really craves that kind of virtual experience. Given that movement in virtual spaces is almost synonymous with the core interactive mechanics of most 3D games, spending time and money to elevate setting returns benefits to core gameplay — and that makes it distinctly different from time and money spent on cutscenes or canned narrative elements.

— Mark Barrett

Filed Under: Interactive Tagged With: emotional involvement, interactivity, setting, wind waker

Zelda: The Wind Waker

April 29, 2003 By Mark Leave a Comment

I’ve only just begun this game, but I’m far enough into it to say one thing for certain: cel-shading is huge, and it’s going to make a big difference in how we feel about playing games. In fact, I think it’s going to go a long way toward making games more immersive and less mechanical, simply because it bypasses the tired textured-polygon look and feel. Moving around in Wind Waker is like moving around in a Disney movie, and it feels great.

In an article (pages 7-10) I wrote a couple of years ago I said that the next step in graphics would be the development of house styles, where the products from one developer would take on a certain look, just as the animation styles from Disney and Warner Bros. did. I don’t know enough about cel-shading to know how costly and labor intensive it is, but if it’s at least comparable to the mesh/skin process, I think it’s going to take off for exactly this reason.

— Mark Barrett

Filed Under: Interactive Tagged With: wind waker